Friday, 27 June 2008

None More Black

None More Black   
Artist: None More Black

   Genre(s): 
Rock: Punk-Rock
   



Discography:


File Under Black   
 File Under Black

   Year:    
Tracks: 14




Philadelphia emo heroes Kid Dynamite were coming off broad touring and deuce democratic albums when vocalizer Jason Shevchuk decided to result the band and boil down more fully on flick school. Even with Kid Dynamite done, yet, he couldn't flight a natural rage for music and before long began composition and playing songs on guitar with his roommate Dan playing bass. And so were the humble beginnings of None More Black in the wintertime of 2000. To make out the set, Shevchuk's brother Jeff was added on guitar, along with a drummer. Demos before long fell on the ears of Sub Division Records before the set had regular played a testify, and subsequently replacing their drummer, None More Black put out a three-song 7" in September 2001. Sending new corporeal to labels about the nation, the ring and its changing batting order finally gestural to California's Fat Wreck Chords. Their uncut debut, File away Under Black, was issued in June 2003 with the brothers Shevchuk rounded out by drummer Mike McEvoy and bassist Paul Delaney (Kill Your Idols); Loud About Loathing followed a year by and by on Sabot Productions. An invigorating set chemistry was last accomplished when Jason Shevchuk and Delaney were completed by guitarist Colin McGinniss and, later, drummer Jared Shavelson (of the Hope Conspiracy). Hooking up with producer J. Robbins (Against Me!, Jawbox), None More Black resurfaced on Fat Wreck with the various This Is Satire in spring 2006. Unfortunately, though -- and contempt the positive reaction to Satire -- the band announced an indefinite foramen in the former months of 2007.





Rihanna: 'Chris Brown & I Are Very, Very Close'

Thursday, 19 June 2008

Celine Dion

Celine Dion   
Artist: Celine Dion

   Genre(s): 
Vocal
   Rock
   Rock: Pop-Rock
   Chanson
   Pop
   Classical
   Rock: Soft Rock
   Dance: Pop
   



Discography:


Taking Chances   
 Taking Chances

   Year: 2007   
Tracks: 18


D'Elles   
 D'Elles

   Year: 2007   
Tracks: 13


1 Fille and 4 Types   
 1 Fille and 4 Types

   Year: 2004   
Tracks: 12


A New Day Has Come   
 A New Day Has Come

   Year: 2002   
Tracks: 17


For You   
 For You

   Year: 2001   
Tracks: 14


Greatest Ballads   
 Greatest Ballads

   Year: 2000   
Tracks: 16


Gold   
 Gold

   Year: 1999   
Tracks: 15


All The Way... A Decade Of Son   
 All The Way... A Decade Of Son

   Year: 1999   
Tracks: 16


These Are Special Times   
 These Are Special Times

   Year: 1998   
Tracks: 16


S'il Suffisait D'Aimer   
 S'il Suffisait D'Aimer

   Year: 1998   
Tracks: 12


The Reason (Maxi Single)   
 The Reason (Maxi Single)

   Year: 1997   
Tracks: 3


Let's Talk About Love   
 Let's Talk About Love

   Year: 1997   
Tracks: 15


C'est Pour Vivre   
 C'est Pour Vivre

   Year: 1997   
Tracks: 14


Ne Partez Pas Sans Moi   
 Ne Partez Pas Sans Moi

   Year: 1996   
Tracks: 14


A L'Olympia   
 A L'Olympia

   Year: 1996   
Tracks: 13


D'eux   
 D'eux

   Year: 1995   
Tracks: 12


The Colour Of My Love   
 The Colour Of My Love

   Year: 1993   
Tracks: 15


Les Premieres Annees   
 Les Premieres Annees

   Year: 1993   
Tracks: 18


Celine Dion   
 Celine Dion

   Year: 1992   
Tracks: 13


Dion Chante Plamondon   
 Dion Chante Plamondon

   Year: 1991   
Tracks: 10


Des Mots Qui Sonnent   
 Des Mots Qui Sonnent

   Year: 1991   
Tracks: 12


Unison   
 Unison

   Year: 1990   
Tracks: 10


Incognito   
 Incognito

   Year: 1987   
Tracks: 8


One Heart   
 One Heart

   Year:    
Tracks: 14


Miracle   
 Miracle

   Year:    
Tracks: 13


Falling Into You   
 Falling Into You

   Year:    
Tracks: 14


Best Ballads   
 Best Ballads

   Year:    
Tracks: 16


Au Coeur Du Stade   
 Au Coeur Du Stade

   Year:    
Tracks: 11


A New Day - Live In Las Vegas   
 A New Day - Live In Las Vegas

   Year:    
Tracks: 15




Rising from lowly beginnings in the small ithiel Town of Charlemagne, Quebec, Celine Dion became one of the biggest external stars in pop music history, merchandising more than C meg albums oecumenical. The youngest in Adhemar and Therese Dion's fellowship of 14 children, Dion grew up in an surround replete of the implicit in chaos and corporeal asceticism that comes with such a large blue-collar folk. However, the Dion house was besides one filled with love for children and music, and her parents and siblings were important figures in the early development of her telling career. Celine began telling in her parents' pianissimo bar when she was exactly basketball team days older. By the years of 12 she had written one of her number one songs, "Ce N'etait Qu'un Rêve" (It Was Only a Dream), which she recorded with the help of her mother and brother and shipped off to a manager named René Angélil, whose name they base on the support of an album by Ginette Reno, a democratic Francophone singer. After weeks with no response from Angélil, Celine's brother Michel phoned him and aforesaid, "I know you haven't listened to the tape, because if you had, you would've called right aside." Angélil dug up the tape and called the family back the same day to set up a meeting with Celine. When the 12-year-old performed in his office in Montreal, Angélil cried and rig in motion the process of making her a québécois, and later external, star. He mortgaged his house to pay for her number 1 iI albums, producing a local number one single. In 1983 she became the first Canadian to take a gold record in France and she south Korean won a gold ribbon at the Yamaha songwriting competition in Japan. Her worldwide report was in the making, merely success in the United States was not still upcoming.


When she was 18, Dion proverb Michael Jackson acting on idiot box and told Angélil that she wanted to be a star like him. Angélil's response was to order her to take on 18 months cancelled to remake her double. Dion underwent a physical shift, cutting her whisker, plucking her eyebrows, and having her dentition capped to cover up the incisors that had caused a Quebec humor magazine publisher to dub her "Canid Dion." She was too sent off to English school to gloss the speech that would help her to break into the American market. When she emerged from this march, she had made an astonishing transformation from teenager whizz to grownup chanteuse. The yield came almost immediately. Her 1990 discovery record album, Unison, was released in the U.S. by Epic Records and produced several run into songs, just it was her duet with Peabo Bryson on the subject strain of Disney's Beauty and the Beast that was her genuine breakthrough.


"Peach and the Beast" reached number unmatched on the pop charts and won both a Grammy and Academy award. The song was likewise featured on her indorsement English album, 1992's Celine Dion, which launched another Top Ten American hit with "If You Asked Me To," while spawning 2 additional Top 40 singles, "Cypher Broken But My Heart" and "Love Can Move Mountains." During this time thither were also important developments in Dion's personal life. In 1988 Angélil crossed the line from managing director to romantic partner when he kissed Dion one night later on a show up in Dublin. Fearful that fans would find the 26-year difference in their ages unsettling, the duet kept their relationship a secret for several old age. But their 1994 wedding in Montreal's Notre Dame Basilica was celebrated non solely by the 250 invited guests, merely by millions of fans world-wide.


Matchless of the hardest-working stars in register business, Dion continued to book and perform on a schedule that would kill almost people. She recorded sestet albums betwixt 1992 and 1996, when her album Dropping Into You took her to a new spirit level of stardom. The transcription was a runaway hit, taking Grammys for both Album of the Year and Best Pop Album. 1996 besides brought her another laurels; she was asked to perform at the opening ceremonies of the Atlanta Olympics. Dion's longest tenure on the pop charts would come the following year, yet, when she recorded "My Heart Will Go On," the melodic theme song for James Cameron's megahit moving-picture show Titanic. "My Heart Will Go On" became ubiquitous on the radio as Titanic fever swept the domain, and when it was featured on her album Let's Talk About Love, it helped actuate that recording to the top of the charts. By then, Dion had the force to gather a supporting cast of stars, and the album contained an astonishing collection of artists, including Barbra Streisand, Luciano Pavarotti, and the Bee Gees. The album would get ahead a host of awards and bring in Dion a unhurt modern existence of fans.


Her appearance on VH1's Divas Live special with Aretha Franklin, Gloria Estefan, Mariah Carey, and Shania Twain proven democratic as advantageously and helped solidify Dion's post among not but stream female pop up singers but historic greats like Franklin. The continuing popularity of her recordings and live performances made her 1999 sabbatical seem like a catastrophe to her fans, just Dion needful a break later more than a 10 and a half of breakneck pace. In 1999, her hubby Angélil was diagnosed with throat cancer. While the disease responded well to intervention and went into remission, the illness was a arouse call for Dion, wHO distinct to put a new stress on her family unit sprightliness and announced a temporary retirement so that she could spend more than time at home and have a kid. After undergoing fecundity treatments, she gave birth to a boy in January 2001. The Collector's Series, Vol. 1 was released during Dion's hiatus; it featured many of her favored songs, as well as a Spanish-language variant of "All by Myself."


Dion returned to the public eye in a large way in March 2002 with A New Day Has Come. The album debuted at number ane in over 17 countries, and was accompanied by a full-scale media linebacker blitzing. But Dion's sterling challenge was yet to come. Despite millions of albums sold, the worship of fans universal, and the validation of her peers, Dion's success was inactive hampered by image problems that had dour her since the days of "Canid Dion." While many Americans idolized her, but as many snickered at her québécois heritage and the relative the heterodoxy of her wedlock. There was besides the emergence of her relevancy to moneymaking audiences existent outside of her pop outspoken constituency. To fighting these issues, Dion and her management made a series of bold moves that attempted to solidify her calling and ensure its persistence as she entered her mid-thirties.


In former 2002, Dion proclaimed a three-year, 600-show condense to appear five nights a workweek in an amusement extravaganza at Caesers Palace, Las Vegas, called A New Day. The production would take place in a custom-built, 4,000-seat dramatic art and would feature Dion as the centrepiece of a multimedia program intentional and orchestrated by Franco Dragone, the Belgian dramaturgy showman behind the modern circus phenomenon Cirque du Soleil. The stick out united Dion, her label Sony Music, Dragone's production party Creations du Dragon, Caesars parent Park Place Entertainment, and promoter Concerts West in a turning point multi-million-dollar alliance that hinged on Dion's power to put fans in seating area five nights a workweek for three years. In conjunction with the rollout of A New Day was an endorsement deal with German carmaker DaimlerChryslter AG worth extra millions. The run set Dion in a series of stylish black-and-white advertisements promoting the stylish allure of Chrysler's line of upscale automobiles.


The performing artist as well recorded a brand-new song to accompany the floater. Debuting in other 2003, the run dovetailed into the March vent of One Heart, Dion's get-go album since 2001's A New Day Has Come, which in wrench heralded the opening of A New Day on March 25, 2003. That hot Las Vegas show was documented on the summer 2004 release New Day: Live in Las Vegas, which was followed a few months by and by by Miracle, a collection of family songs designed as a bicycle-built-for-two book/CD cast between Dion and photographer Anne Geddes. The two-CD compilation On Ne Change Pas appeared in 2005, featuring her most popular French-language songs and a new collaboration with the operatic pour down vocal quartet Il Divo, "I Believe in You (Je Crois en Toi)." A new French-language album, D'Elles, arrived in May 2007 and debuted at the top of the Canadian album chart. In November of that same yr, Dion released the English-language Pickings Chances and announced a tour of South Africa and Europe scheduled for 2008.






Wednesday, 11 June 2008

Moore makes Fahrenheit 9/11 sequel

Michael Moore has started work on a follow-up to his 2004 documentary 'Fahrenheit 9/11'.
The financers of the film have said that it will be "a searing and provocative follow-up" to 'Fahrenheit 9/11'".
Danny Rosett, CEO of Overture Films, one of the studios involved, said that Moore "intends to examine how America's role in the world has changed over the last eight years".
Moore chose a spring 2009 release date because it was after the US presidential election, with Rosett saying that the director did not want the film to be seen as a "politically motivated piece".
"That's why I think he felt strongly about not having it come out before the elections," Rosett told Reuters. 
It is reported that the film will feature Moore and, like his previous works, will mix humour with archival footage and research.

Thursday, 5 June 2008

Slipknot's Clown Tells Rockstar Tourmates 'Get Out Of Our Way'; Plus Danzig, SikTh & More News That Rules, In Metal File




This summer, Des Moines, Iowa's own Slipknot — along with Disturbed, Mastodon, DragonForce, Machine Head, the Red Chord, Suicide Silence and a handful of others — will be taking part in the inaugural run of Warped Tour mastermind Kevin Lyman's Rockstar Energy Mayhem festival (otherwise known as the tour that effectively immobilized Sharon Osbourne's long-running Ozzfest).

But Slipknot percussionist Shawn "Clown" Crahan doesn't care what you call Lyman's latest brainchild, so long as you understand that it's not a festival at all — it's a Slipknot tour, plain and simple.

"It's a bunch of bands opening for Slipknot," Crahan told Metal File last week, during a brief break from the studio, where the band is working on its fourth, still-untitled LP, which should arrive in stores by summer's end. "We're headlining, as it should be. Sorry — it's a Slipknot show, kids. We've been gone for two years, and you've all had the chance to do what you're going to do. But now we're back; step in line. That's what's up. We're the DNA that keeps whatever cell this is moving. Period.

"With me, I've been out with a lot of bands, and I don't care," he continued. "We're back, and it just happens to be this thing called the Rockstar Energy Mayhem festival. That's cool. But we didn't want them, they wanted us. Everyone wants our f---ing money and our kids. We're playing a show, and a bunch of great bands are playing too. But we're back, so get out of our way. Call it what you will, but we're headlining. It's our show, and we're here to kill you."

And he's not kidding. Crahan said he's keyed up for Slipknot's return to the stage, following two years of hibernation, and promises that this summer, the boys will preview some of the new material they've been working on since early February.

"We're going to cast some magical spells, and you're going to get more than you can choke on," he said. "Slipknot is a philosophy, a way of life. We're a great band, and if you don't know that, I don't know what you know. We've been doing it longer than most bands can, and no one has done it harder than us."

According to Crahan, Slipknot brought an abundance of songs into the studio and is nearing the completion of the effort, under the direction of producer Dave Fortman (Mudvayne, Superjoint Ritual). And while he wouldn't go into detail about the LP (frontman Corey Taylor said in a recent interview with Billboard that the album would "rip your face off"), he scoffed at the suggestion that it's the band's heaviest offering to date.

"I'm not that guy who's going to tell you it's harder," he said. "Harder, to me, doesn't mean anything. I could give a sh-- about hard. Hard means nothing to the Clown. Slipknot is a phenomenon, it's an enigma, and the enigma weighs on your emotions. And the emotions aren't just heavy, they're cerebral, they're surreal and they're on a whole other level. I just know that this album is different than anything we've done."

When asked to elaborate, Clown refused, saying that the music, once it's released, would speak for itself. "Listen, we are the hardest ever," he said. "We blow all bands away. I don't give a f--- who your band is. I've probably played with your band, and you don't show me sh--. So, it's like, is this band heavy? Oh, yeah, we're the heaviest. We're heavy thinkers, heavy hitters, heavy writers and heavy people, but it's emotionally heavy. There's a lot of emotion on this record, and we're all on the same page with our own emotions, so you're finally seeing the kings of all the courts bringing their kingdom's jewels in for one gigantic war."

But Clown did admit that the record sounds more mature than anything they've done previously, because, well, they're all grown up.

"It's a record made by a bunch of f---ing adults, and that's why it's different. Every record should be different," Crahan said. "Our self-titled came out in '98, and the second record, people were thinking maybe we'd give 'em more commerciality, and give in like everybody else does. But instead, we go completely against that, and we made the anti-sophomore record, and we get all the respect for that.

"The third record, we start moving in directions we always wanted to. Basically, on the second record, it was like, 'We're the drug penetrating the vein, and we're on our way to your brain and your heart,' " he continued. "The third record was, 'Now, I'm in your brain. Check out this other sh--. No other band can handle this. No one can fathom what we do. This fourth record was done by a bunch of crazy guys in their 30s. That doesn't mean we're slowing down or not as intense — our brains are different, so we're bringing different emotions, different feelings and different anxieties to the table now. This record is another diagnosis of our insanity.

"No one has done what we have done," he added. "This is a war, man. The sh-- that we do, nine guys trying to f---ing write together, and keep this insanity going? Does anybody take the time to realize that? For me, this is like going to Vietnam, serving your tour and then the government asking you to do another tour because you're a badass. We've got 10 purple hearts, and we're f---ing killers. This isn't your rock and roll; this is our rock and roll."

For Crahan, making the record hasn't been a picnic. The music has taken an emotional toll on him ("This sh--'s real, it hurts, and I've cut myself open and given everything to this record," he said), but he's cool with that — so long as Slipknot's allegiant fans, the Maggots, aren't disappointed with it.

"The reason the fans love us is because they sense and feel something they've never gotten from anybody else — it's loyalty, it's respect and more importantly, they've finally found someone who feels like they feel," he said. "We're not your normal band. We represent something to kids they never gotten from school, or their parents, or other bands. We supply a feeling only Slipknot can supply. We have our own culture, because, we've done this 10 years for you, and 12 years for ourselves.

"We have nine guys, and all nine are different," Crahan went on. "But we're still doing this, so I'm amazed. That's how f---ing badass we are. Some stupid band with three members or four members wants to bellyache to me? Come on, man — this is the 'Knot. This is nine guys, an assault on the senses, a physical war through music, and it's going to be force-fed down your throat, and it will turn your insides out. It's been designed to destroy you."

The rest of the week's metal news:

Glenn Danzig's Blackest of the Black Tour will be returning this year, but the question is, when? While tour stops haven't been released yet (it's expected to kick off in October), the bill has. It'll feature Danzig, of course, along with Dimmu Borgir, Moonspell, Winds of Plague and Skeletonwitch. ...

Spastic British metallers SikTh have thrown in the towel. "A combination of factors has driven us to make this decision," the band said in a statement. "We want to assure you that if it were viable for us to carry on, we would. We are so proud of all that we have achieved as SikTh, and we have agreed to work together again in the future. We are currently involved in new projects so keep checking our personal pages for announcements." ...

Animosity have their drummer back. Navene Koperweis, who had taken a break from the band earlier this year, has returned to the fold. The band claims it has started writing new material for its next LP but provided no indication of when that effort could be in stores. ...

Hatebreed have dubbed their forthcoming covers collection For the Lions. The Connecticut hardcore harbingers will be tackling songs by Metallica, Misfits, Judge, Cro-Mags, D.R.I., Negative Approach, Agnostic Front, Madball, Obituary and Sheer Terror, among others, for the disc. ...

Bullet for My Valentine and Bleeding Through — on the same bill? Snore. But at least Cancer Bats and Black Tide will be opening for them. The trek kicks off July 14 in Milwaukee, Wisconsin, and dates are booked through August 16 in Detroit. ...

Exodus have re-signed with Nuclear Blast, which will release the thrash legends' next LP, The Atrocity Exhibition: Exhibit B, later this year. The band began working on new tracks back in October. ...

Success Will Write Apocalypse Across the Sky, which features former members of Bodies in the Gears of the Apparatus and Dehumanized, have wrapped pre-production for their album, The Grand Partition and the Abrogation of Idolatry. The band plans on hitting the studio next month with producer James Murphy (Testament, Obituary), and complete the effort in time for release later this year.






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